Reflections of a Collective Memory
Reflections of a Collective Memory reflects and explores how a community constructs its identity when it is built on a common memory. Through a series of black and white portraits, a story unfolds of these immigrants of Armenian descent who currently live in the Greater New York Area. Though my subjects are from different stages in life and styles of living, they all share a memory of the Armenian Genocide that happened almost a century ago.
Telling this story in black and white, this body of work highlights how the memory of the Armenian Genocide is reflected in many areas of the Armenian community’s life today. The viewer is invited to witness the effects of a painful past and how it can reflect its shadow on the present. And yet, observe as well the notable expressions through painting and dance that capture this unique collective identity as it continues to grow in vibrancy from world-wide denial of the genocide.
Of Armenian descent myself and a recent immigrant to New York City, I was curious how this event might have shaped this community here. I discovered that it is very present in the community’s artwork, scholarly work, and even many day-to-day activities that the community maintains till this day, and strove to record this with this series.
Birthplace: Palu, Turkey
At the age of 6, what she remembers is how males over the age of 15 in her village were taken and never came back, including her 2 uncles.
Birthplace: Nikhda, Turkey
Walking for long miles through the desert, escaping persecutions. Today what she remembers how caring her mother was throughout this painful journey.
Julia, watching a traditional Armenian Dancing performance with the residents of the Armenian Nursing Home in Flushing, Queens.
Historical records show that Armenian dance has the most ancient origins in the world
Maral Temiz at a performance, Shushi
Every Friday rehearsals take place in Tenafly, New Jersey, where young girls who form The Shushi Dancing Ensemble get ready for upcoming performances.
To Armenians dancing is reflecting on the past and constructing the present identity of the Armenian community. An identity that is inseparable of the memory of the genocide.
The Armenian Genocide had a great impact on Armenian art. This impact was and still represented in various mediums, from painting to singing and so forth.
Kevork Murad, a New York based painter. His Armenian-Syrian background is overshadowing his latest work.
Anias Tekerian, a New York based singer. Revives old and traditional Armenian songs singing with her band "Zulal".
Aram Jibelian, New York based photographer. His latest work deals with the idea of living in exile and denial.
Nora Armani, New York based actress and director. Her latest work deals with relocating, moving and traumatic experinces.
Nishan Kazazian, New York based architect and artist. Memory and identity is always reflected in his artwork.
A large number of Armenian thinkers, scholars and politicians dedicated their lives, researching, writing and raising awareness about the Armenian Genocide.
Anny Bakalian a scholar and writer. The image on the screen is a photo of an abandoned church since 1915, taken during her last visit to Turkey.
Claire Kedeshian, Musician and Lawyer. Reconnecting with the past and the roots ... through "Heritage Tourism"